So, I guess, as a bad film reviewer, talking The Room is unavoidable. Often called the “Citizen Kane of bad films,” and all that, The Room is a…special film. It’s so special that I avoided it. I feel that reviews from folks such as such as Nostalgia Critic, IHE, OSW Review, and Allison Pregler ripped […]
Read moreNew (To Me) SOTBMusic: @HERMusicx – "Your Way"
The still-mysterious H.E.R. (gotta love these “let’s focus on the music, not my appearance” artists. Thank Sia and The Weeknd’s early stuff) dropped this one over the weekend. It’s sexy and features a flip of one of my favorite Aaliyah tracks, “Come Over.” Overall, it’s one of those tracks you need to play for your […]
Read moreNew (to Me) SOTBMusic: @MilaJ – Fuckboy
Mila J gives us an anti-fuckboy anthem over some bluesy, gospel-y vibes. Check it out below. Why? Because I said so Because it’s a dope track that is against fuckboys. What else do you need? I mean, really? She’s got a dope voice, the production is dope, and who likes a fuckboy? Exactly. Check the track […]
Read moreNew SOTBMusic: @BrownBoiMaj – Maj (LP Stream)
Broke boi Brown Boi Maj returns with a full-length project to hang “Broke Boi” onto, Maj. The 11-track album features spots from folks such as JusXJustice and manages to extend the mythos behind being a broke boi further. The brutally honest LP features Maj as a vulnerable guy who’s still getting comfortable in his own […]
Read moreNew To Me SOTBMusic: @DavidCorrey – Lost Art
A while ago, I got introduced to David Correy’s music. You may’ve seen him on shows such as The X Factor giving people the feelz. In the shuffle, I missed that he recently dropped a new album, Lost Art. All I’ve got to say is “wow.” If you’re in the need for some soulful jams from an […]
Read moreNew To Me SOTBMusic: @DejuanWhaley – "Never Without Love"
New-to-me music from Dejuan Whaley. A smooth, UGK-esque flip of Willie Hutch’s “Never Let You Be Without Love” aids a positive energy-steeped track on this one. Overall, I found my head nodding and my ears perked up by Whaley’s switches back between a laidback flow and a double-time one, usually utilized to hammer the point […]
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