Joyner Lucas gives us another look into his upcoming project with the visuals to “Just Like You.” The song, told through the eyes of children, gives us a look into their minds. Kids need role models that they can look up to, not people who don’t have their shit together. And that’s the main message […]
Read moreNew To Me SOTBMusic: @ktfirehouse – L7
I just got this one in my inbox. KT has bars and a pretty solid command over several styles of hip-hop. Plus, as an added bonus, he’s from the DMV. As KT said when describing the album, “Ł7 is the ultimate plot twist [w]hen the nerdy kid aka ‘the square,’ or the ‘Ł7,’ IS the […]
Read moreNew SOTBMusic: @RDFND – The Triptych EP
All I can say is that this blows a lot of stuff I’ve had on my desk (read: in my inbox) recently away. Shoutout to Joe Hova of HipHop-N-More.com and JoeHovasMF.com for posting this one on the timeline. Flows are tight and the bars are just…wow. Plus, the story I’m getting for this one is […]
Read moreNew SOTBMusic: @AlOneTheRemedy – Good God Bad Business (Prod. @illmindPRODUCER)
You don’t do 1,100 posts often, unless you’ve got a team of 10-20 folks who are cranking out tens of posts a day. But, I’m not that–not yet, anyways. So, post 1,100 is important to me because you’ve all been riding with me since post one. Enough doting on myself. Let’s get into some music. […]
Read moreNew SOTBMusic: @STEALFSOULJA – Introvert
New dark-ass music from Stealf Soulja. And it goes in. His husky baritone voice over this dark beat? I just had the “bruh” face on the whole time like “damn son.” The bars are also present, as they always are from the DMV native. So, enough of me gushing about how dope the track is. […]
Read moreNew SOTBMusic Premiere: @Olumide301 – No Pain (Visuals)
Straight off Olumide’s Two-Five project, today’s premiere features the DMV artist mostly in a hospital room, rapping through the (alluded to) pain so he and his team can feel no pain and prosper. Olumide, if you didn’t know already, can flow and “No Pain” is no exception. The track reminds me of a early 2000s […]
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