I’m usually not a fan of songs under two minutes–unless they’re interludes. It’s usually because they get going and then they just end. On Cameron Isaiah’s “OTO,” the artist channels his inner DMX to spit fire bars about the come up and everything that can happen during it. I like this song because of its production and Isaiah’s gruff flow and delivery. Check this one out if you’re looking for hip-hop with an edge, but still has some consciousness in there as well. Check it out below and support dope music in all its forms.