I ponder about The Penthouse Club’s new steakhouse, its potential impact on the Baltimore strip club scene, and how the Baltimore strip club scene has changed post-COVID. No, no nudes are here. Don’t ask. This isn’t THAT type of site.
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I ponder about The Penthouse Club’s new steakhouse, its potential impact on the Baltimore strip club scene, and how the Baltimore strip club scene has changed post-COVID. No, no nudes are here. Don’t ask. This isn’t THAT type of site.
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I hate the term “comeback.” I prefer “reset.” May’s ‘And Yet The Town Moves’ was a reset and realization that I’m finally figuring out where my place presently is as the me I presently am. Musically, that is. There are still some other things I’m figuring out. Such is life.
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Michael Jackson is THEE GOAT. As such, THEE GOAT never missed. I’m Speed on the Beat and I support dope music in all its forms. 1979’s ‘Off the Wall’ is the epitome of that SOTB concept of “dope music in all its forms.”
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If you’re wondering where I’ve been over the last 18 months, read this (somewhat of a slog of an) explanation. Mental health happened, burnout happened, death happened. However, unless you biologically die, nothing’s permanent. Except me saying I’m not doing any more damned full-length albums. F that.
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I love when hip-hop transcends all boundaries. However, I also appreciates when it acts its age. Proclaim gets incredibly personal on “Start Over.”
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Right off the bat with “AMT,” we get a nice surprise. We get neo-soul and hip-hop sounds usually seen from artists like Noname, Jill Scott and others.
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