Anyone who can take an All That sample and flip it into an anthem, I’m a fan of. Aside from that, if you’re familiar with The Couny’s late 80s/90s Baby-heavy vibes, you’ll get more of that here (possibly doubly because of the All That theme flip). Lyrically, the duo lets us know why they’re coming for […]
Read moreToday is the one-year anniversary of my last album. Apologies for the rants in advance. I often get asked if I regret leaving music behind as an artist following The Sorest Loser. The cries aren’t as strong as they were; I guess folks have resigned to take my “retirement” as fact. However, they still exist. To […]
Read moreIn evolving as an artist, you’ll often need to get away from “what works” and grow your sound–even if it doesn’t always come out right. I went through that personally in stuff after Baltimore Commercial Break, an album that was heavily based and steeped in samples and interpolations (again, I hope it was used in […]
Read moreToronto artist Mouse Sucks has a pretty eclectic style and has constantly evolved his style since debuting on the site with “Just Ate The Booty…” So, imagine a more lo-fi Ugly God if Ugly was just as focused on lyrics and the vibe as he was about getting his dick sucked on soft and Pokemon […]
Read moreI’ll be honest. I never got fully on the Kesha train. No, not even in college when “Tik Tok” was a thing. I danced to it because it made people dance, but I wasn’t fully sold. Even with that in mind, I’ve always known that she was capable of delivering something powerful. There have been […]
Read moreI’m a bit late on this one (by a few days). But, better late than never, especially for some boombap-tinged hip-hop from Maryland’s Big Lenbo. There’s not really much I can say about this project, except that if you’re not willing to stay around for something other than a turn-up beat, you’ll probably be lost […]
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